Product Description
VisionSmith EGTT Relamp Studio 1000 LED retrofit for Arri ST1, Mole Baby, De Sisti - Tungsten
ReLamp 1K LED
The ideal way to upgrade to LED
- No Down-Time: Relamp your studio from Halogen to LED instantly
- Ultra-High Quality: 98CRI – matches Tungsten or Daylight without correction
- Full-range dimming on your existing AC Dimmers – without color shift!
- Flicker-Free: even when dimmed down.
- Safe: no burns, no fire hazard, does not explode like Halogen
- No heat on subject or talent
- Environmentally Conscious: Easiest way to make your business sustainable.
- Reliable: Fully self-protected for a very long life, ongoing warranty available.
- ROI: A typical TV studio saves thousands beyond the initial cost within the first year!
- 1/4 the cost of comparable 1k LED Fresnels.
Brighter than Mole 1000W with Optional Fresnel Lens Upgrade:
- Brighter! Using our Super Lens, the 150W ReLamp 1K LED makes the Mole Baby brighter than the Mole Baby using a 1000W Halogen and the old glass lens.
If you add our Aspheric Diffractive Plano-Convex Lens to your Fresnel, you can increase the output, project a more uniform light field, and get a greater focusing range.
Typical Focusing Range: 15º – 70º
Daylight LED Fresnels at Full-Spot at 10ft:
- EGT LED 150W Lamp in legacy Fresnel: 580FC
- Mole™ 200w LED Fresnel 450FC (published data)
- Mole 150w LED Fresnel 380FC (published data)
- Mole Baby Tungsten Halogen EGT 1000W (500FC)
NO HEAT ON SUBJECT
Thermal imaging shows clearly that the Halogen is on the left. It is too hot to touch, and is projecting a hot spot (large pink area) on the wall 10ft away. The ReLamp LED projects no heat on the subject.
Description
Dims like a tungsten bulb, no change or addition to studio wiring.
Instantly upgrade your existing 1K Halogen Fresnel fixture to a high-performance LED instrument in seconds. This LED Lamp is a direct replacement of the EGT Halogen Lamp, but the Correlated Color Temperature will now be 5000ºKelvin.
This ReLamp is designed for the larger studio 1K fixtures like the Arri ST1.
It will not fit the Arri 1K Plus and is difficult to install in the Arri T1 – for these smaller 1K fixtures please use the ReLamp 1K.
This unit will operate on AC mains power anywhere in the world.
Our Super Lens will increase the output considerably on the fixtures it is available for.
CINEWHITE™ – SPECTRAL QUALITY
CineWhite™ solves the color-rendering dilemmas most cinematographers associate with LEDs. With a smooth, continuous spectral distribution, it produces pure white on film and digital cameras and matches existing tungsten sources. You will get no surprises. Gels look just right, everything looks just right.
CineWhite tungsten or daylight renders without surprises on faces, makeup, unusual fabrics, all the subtleties show up as expected, due to the even continuous spectrum. This is not possible with RGB LEDs
The Academy illustrated that the color rendering of many LED fixtures is quite different from tungsten sources.
We developed the CineWhite Illuminators to practically eliminate these differences and provide the highest quality color rendering in the industry. Note the R9 and R15 results which most manufacturers omit. These are critical to accurate skin tones and predictable makeup rendering.
