Product Description
Tascam DR-60DMKII Portable Recorder For DSLR
Portable Recorder Designed for DSLR Filmmakers
TASCAM's DR-60DmkII, an update of the award winning DR-60D, is the audio recording solution for on-set filmmakers and videographers. The streamlined design fits perfectly under a DSLR camera rig, without relying on bulky recorders or the limited audio quality of the camera’s microphone in.
The DR-60DmkII is the next generation of 4-track solid-state recording, based on TASCAM’s decades of recording innovation. The upgraded HDDA microphone preamps provide up to 64dB of gain, capturing every nuance of a performance. Up to four channels at a time can be recorded to the internal SD Card, at up to 96kHz/24-bit WAV file resolution. Two of the mic inputs utilize locking XLR connectors with 48V phantom power, the other two use an 1/8” stereo connector for wireless and lavaliere microphones.
A Camera Output sends the mic mix to the camera for later synchronization, and a Camera Input is provided for monitoring playback. An additional headphone out and line out assist the crew during filming. The DR-60DmkII is designed for low-noise operation, including soft touch buttons and dedicated gain controls.
Multiple recording modes are available on the DR-60DmkII. Four-Channel Mode records all four microphone inputs. Dual Recording is an alternate setting, capturing a copy of your audio at a lower level for a distortion-free safety track. Menus and operation are well laid out, owing to decades of innovative recording design.
Reach beyond the limited performance of your camera’s audio to capture the other half of your film. At a cost less than competing preamps, the TASCAM DR-60DmkII is the ultimate 4-track recorder designed for filmmakers, television, live events and web broadcast.
High-Quality HDDA Mic Preamps
High quality mic preamps are a necessity for high-grade sound. The DR-60D's HDDA mic preamplifiers (High Definition Discrete Architecture) employ discrete circuitry and premium parts, approved after months of evaluation testing. The HDDA s circuit achieves an incredibly high EIN (-120dBu) for the lowest noise level available. The DR-60DmkII mic preamps have been upgraded for up to 64dB of gain with new XLR input jacks for greater cable compatibility. A CIRRUS LOGIC's AD converter (used also on the DR-40 portable recorder) is used to ensure detailed recording from any input signal.
A Variety of Inputs and Outputs With Internal Mixing
The DR-60DmkII can record up to 4-tracks simultaneously, allowing multiple microphones to be used while filming. Inputs 1/L and 2/R can be selected for mono or stereo link operation. Three sets of stereo outputs are provided. A Camera Out sends a reference track recording to the camera. The Line Out can feed a mixer or recorder. Finally, a powerful Headphone Out is available for direct monitoring. Each of these outputs has its own level control, and the Camera Out can be attenuated to microphone level without the need for an attenuating cable. The DR-60DmkII has an internal digital mixer for all 4 tracks. Adjust pan and level, add a Limiter or Hipass Filter (40/80/120Hz), and set individual channel Delay from the user-friendly set-up. The DR-60DmkII is ready to use right out of the box with its external, non-menu-intensive controls.
Multiple Record Modes Meet Any Challenge On-Set
The DR-60DmkII includes several recording modes to adapt to any recording scenario:
MONO/DUAL MONO mode:
Ideal for single source microphones, like using a shotgun together with a clip-on lavaliere mic
STEREO/DUAL STEREO mode:
These modes are ideal for shooting with a stereo or mid-side microphone. A Mid-Side Decoder is built in, and can be added either during monitoring or before recording
4CH mode:
This mode records all four microphone inputs to their own tracks.
DUAL MONO and DUAL STEREO mode:
Records a back-up safety track in case levels are set too high and clipping occurs. The safety track can be set to record from -6dB to -12dB below the initial take. If an actor suddenly screams a line, you have a backup recording that isn’t distorted
MONO/DUAL MONO mode:
Ideal for single source microphones, like using a shotgun together with a clip-on lavaliere mic
STEREO/DUAL STEREO mode:
These modes are ideal for shooting with a stereo or mid-side microphone. A Mid-Side Decoder is built in, and can be added either during monitoring or before recording
4CH mode:
This mode records all four microphone inputs to their own tracks.
DUAL MONO and DUAL STEREO mode:
Records a back-up safety track in case levels are set too high and clipping occurs. The safety track can be set to record from -6dB to -12dB below the initial take. If an actor suddenly screams a line, you have a backup recording that isn’t distorted
Soft-Touch Controls
Every aspect of the DR-60DmkII is designed specifically for DSLR Audio for Video Recording. The keys of the unit are designed specifically for quiet operation to eliminate handling noise. The Slate feature is designed to mark tracks easily while in production. The input and output layout is designed for versatile use. Whether the device is used under a camera, on a rig or strapped around a solitary sound engineer, TASCAM's DR-60D will meet all on-site audio production needs.
Dedicated Camera Output
The CAMERA OUT connector sends the mix from the DR-60DmkII to your camera. An adjustable level control is provided, as many DSLR cameras lack an input control. The camera audio gets a clean mix from the DR-60DmkII to assist syncing tracks in editorial.
Most modern editors – including Final Cut Pro X and Adobe Premiere – include a function to automatically synchronize audio recordings with camera clips. If your editing software lacks this feature, applications such as Red Giant PluralEyes can automate the process.
Most modern editors – including Final Cut Pro X and Adobe Premiere – include a function to automatically synchronize audio recordings with camera clips. If your editing software lacks this feature, applications such as Red Giant PluralEyes can automate the process.
Slate Tone Generator for Tighter Lock
The internal slate tone generator produces various tones for easy track making and recognition. Slate tones can be generated two ways:
Automatic: Tones are added to the head or the head and tail of each clip (from 0.5 – 3 sec)
Manual: Push the SLATE button to record a tone
Automatic: Tones are added to the head or the head and tail of each clip (from 0.5 – 3 sec)
Manual: Push the SLATE button to record a tone
Ch 3 & 4 Inputs Support High-Output Microphones
The channel 3/4 input connector supports a high-level maximum input – up to +10dBV. Many microphones designed for use with video cameras have a high-level output and a 3.5mm output connector. Plug-in power is also available for microphones that need it.
Tripod Mounting on Top and Bottom
The DR-60D can be placed between a DSLR Camera and a tripod, or mounted to a cage or follow-focus rig. A tripod socket is on the bottom of the unit, and a (removable) tripod bracket is mounted on the top.
Lightweight Body Designed for Rugged Portability
The DR-60DmkII's body was manufactured with very rigid plastic for a durable but lightweight design. TASCAM understands how important weight is to steady camera movement when film-making. In addition to its light weight, the feature-rich DR-60DmkII is extremely compact. Only 5.25" wide, the DR-60DmkII won’t interfere with camera operation. All batteries can be replaced without removing the device from the Camera or tripod / rig.
The REMOTE jack accepts either the TASCAM RC-3F footswitch-type remote control or TASCAM RC-10 wired remote control (both sold separately). They add the following control functions:
RC-3F
| MODE | FOOT SW | ||
| L | C | R | |
| PLAY | REW | PLAY/STOP | FWD |
| RECORD1 | STOP | REC/PAUSE | INC |
| RECORD2 | STOP | REC/PAUSE | MARK |
| RECORD3 | STOP | REC/PAUSE | SLATE |
| REVIEW | FLASH | PLAY/STOP (Play while pressed) | FWD
|
Features at a glance
- Record to SD/SDHC card (Up to 32GB)
- Simultaneously record up to 4 tracks
- Record Modes: MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
- Recording format: 44.1/48/96kHz, 16 or 24-bit, WAV/BWF
- TASCAM HDDA microphone preamps wth 120dB EIN and 64dB of gain
- Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
- Two combo XLR/TRS inputs support +4dBu mic/line level input
- Phantom power to channels 1/2 (24V or 48VDC on XLRF)
- Plug-in power and high-output mic input supported on inputs 3-4
- CAMERA OUT connector for output from the DR-60DmkII mixer (adjustable gain)
- CAMERA IN connector for sound monitoring from the camera
- Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
- 50mW/ch headphone amplifier
- Tripod mounting socket (bottom) and mounting screw attachment (top)
- Handles protect the screen and can be used to attach a shoulder strap
- Soft-Touch Rubber Keys for silent operation
- HOLD switch to prevent accidental operation
- QUICK button feature for easy access to various functions
- 128x64 pixel LCD with backlight
- USB 2.0 connection for high-speed transferring of files
- Mini USB cable included
- Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
- Can extend battery life with BP-6AA battery pack (sold separately)
- Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
- Internal mixer: PAN and LEVEL controls
- Low cut filter (40/80/120Hz)
- Limiter (1/L and 2/R can be selected for linked operation)
- Delay function for microphone distance adjustment (up to 150ms)
- M-S decode function Slate tone generator (AUTO/MANUAL)
- Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
- Selectable slate tone generation. (3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated)
- File naming format can be set to use a user-defined word or date
- Dual-recording function allows two files to be recorded simultaneously at different levels
- Auto-record function can automatically start and stop recording at set leve
- lPre-recording function allows the unit to record a 2 second sound buffer before recording is activated
- Self-timer function for solo recording
- New file starts recording automatically without interruption when maximum file size is reached
- Track incrementing function allows a recording to be split by creating a new file when desired
- Jump back and play function
- Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
- Resume function to memorize the playback position before the unit is turned off
- MARK function up to 99 points per audio track
- DIVIDE function
Spec description
| Recording media | SD card (64MB to 2GB), SDHC card (4GB to 32GB) |
| Recording format | |
| WAV | 44.1k/48k/96k Hz, 16/24-bit |
| BWF | 44.1k/48k/96k Hz, 16/24-bit |
| Number of channels | 4-channel (stereo x2) |
| Analog audio input | |
| 1/L, 2/R connectors | |
| Connector | XLR-3-31 (1:GND, 2:HOT, 3:COLD) / 1/4" (6.3mm) TRS standard jack |
| Set to "MIC / MIC+PHANTOM" | |
| Input impedance | 2kΩ |
| Phantom power | 48V ±4V (10mA/CH) / 24V ±4V (10mA/CH) |
| Maximum input level | 0dBu |
| Minimum input level | –72dBu |
| MIC input gain | TRIM MAX |
| LOW | +11dB |
| MID | +36dB |
| HIGH | +52dB |
| HIGH+PLUS | +64dB |
| Set to “LINE” | |
| Input impedance | 10kΩ or more |
| Standard input level | +4dBu |
| Maximum input level | +24dBu |
| 3-4 connector | |
| Connector | 1/8" (3.5mm) stereo mini jack (this connector can be supplied plug-in power) |
| Input impedance | 10kΩ |
| Maximum input level | +10dBV |
| Minimum input level | –50dBV |
| MIC input gain | TRIM MAX |
| LOW | +3dB |
| HIGH | +26dB |
| HI + PLUS | +38dB |
| CAMERA IN connector | |
| Connector | 1/8" (3.5mm) stereo mini jack |
| Input impedance | 10kΩ |
| Standard input level | –10dBV |
| Maximum input level | +6dBV |
| Analog audio output | |
| CAMERA OUT connector | |
| Connector | 1/8" (3.5mm) stereo mini jack |
| Output impedance | 200Ω |
| Standard output level | –50dBV |
| Maximum output level | –30dBV |
| LINE OUT connector | |
| Connector | 1/8" (3.5mm) stereo mini jack |
| Output impedance | 200Ω |
| Standard output level | –10dBV |
| Maximum output level | +10dBV |
| PHONES connector | |
| Connector | 1/8" (3.5mm) stereo mini jack |
| Maximum output level | 50mW + 50mW |
| USB | |
| Connector | Mini-B type |
| Format | USB2.0 HIGH SPEED mass storage class |
| REMOTE | |
| Connector | 2.5mm TRS jack |
| Power | Four AA batteries (Alkaline or NI-MH), USB bus power, Dedicated AC adapter (TASCAM PS-P515U, sold separately), Dedicated external battery pack (TASCAM BP-6AA, sold separately) |
| Power consumption | 5.4W |
| Continuous operation time | 2ch WAV, 44.1kHz, 16-bit Rec, *All times are approximate. |
| DR-60D alone | |
| Alkaline batteries (EVOLTA) | 2-½ hours (Phantom ON) 4-½ hours (Phantom OFF) |
| NI-MH batteries (eneloop) | 3-¼ hours (Phantom ON) 5 hours (Phantom OFF) |
| NI-MH batteries (eneloop pro) | 3-¾ hours (Phantom ON) 6 hours (Phantom OFF) |
| DR-60D with BP-6AA | |
| Alkaline batteries (EVOLTA) | 5-½ hours (Phantom ON) 10-½ hours (Phantom OFF) |
| NI-MH batteries (eneloop) | 7-½ hours (Phantom ON) 12 hours (Phantom OFF) |
| NI-MH batteries (eneloop pro) | 9-½ hours (Phantom ON) 14-½ hours (Phantom OFF) |
| Dimensions (W×H×D) | 5.2" × 3.7" × 3.1" / 133 × 93.2 × 78 mm (with the top adapter attached) |
| Weight | 1.12 lbs. / 510 g (excluding batteries) |
| Operating temperature | 32˚F to 104˚F / 0˚C to 40˚C |
| Standard accessories | USB cable, warranty card, Owner's manual |
| Computer compatibility | |
| Windows | |
| OS | Windows XP, Windows Vista, Windows 7, Windows 8 |
| CPU | Pentium 300MHz or more |
| RAM | 128MB or more |
| USB | recommended: USB2.0 |
| Macintosh | |
| OS | Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4), Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7), OS X Mountain Lion(V10.8) |
| CPU | Power PC, iMac, G3, G4 266MHz or more |
| 64MB or more | |
| USB | recommended: USB2.0 |
| Audio performance | |
| Frequency response | 20Hz to 20kHz +0.5/–2dB (LINE IN or MIC IN to LINE OUT, Fs 44.1k/48k Hz, JEITA) 20Hz to 40kHz +0.5/–3dB(LINE IN or MIC IN to LINE OUT, Fs 96kHz, JEITA) |
| Distortion | 0.02% or less (LINE IN or MIC IN to LINE OUT Fs 44.1k/48k/96k Hz, JEITA) |
| S/N ratio | 92dB or more (LINE IN or MIC IN to LINE OUT Fs 44.1k/48k/96k Hz, JEITA) |
| Equivalent input noise | –120dBu or more |
Recording Duration
The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
| File format (recording setting) | SD/SDHC card capacity (hours:mintes) | ||||
| 1GB | 2GB | 4GB | 8GB | ||
| WAV/BWF 16-bit (STEREO) | 44.1kHz | 1:41 | 3:22 | 6:44 | 13:28 |
| 48kHz | 1:33 | 3:06 | 6:12 | 12:24 | |
| 96kHz | 0:46 | 1:33 | 3:06 | 6:12 | |
| WAV/BWF 24 bit (STEREO) | 44.1kHz | 1:07 | 2:15 | 4:30 | 9:00 |
| 48kHz | 1:02 | 2:04 | 4:08 | 8:16 | |
| 96kHz | 0:31 | 1:02 | 2:04 | 4:08 | |
- The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
- The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
- If recorded in mono in WAV files, the maximum recording time will be double the figures above.
- For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
DR-60DMKII Tested media List
| Last update:August 20, 2015 |
| Maker | Series | Model | Capacity | Result |
| SanDisk | SanDisk Extreme PRO® SDHC™ UHS-I Memory Card (U3, Class10) | SDSDXPA-032G-JU3 | 32GB | OK |
| SDSDXPA-016G-JU3 | 16GB | OK | ||
| SanDisk Extreme® SDHC™ UHS-I Memory Card (U3, Class10) | SDSDXL-032G-JU3 | 32GB | OK | |
| SanDisk® SDHC™ Memory Card (CLASS4) | SDSDB-008G-J01 | 8GB | OK |
| Maker | Series | Model | Capacity | Result |
| SanDisk | SanDisk Extreme PRO® SDHC™ UHS-II Memory Card | SDSDXPB-032G-J35 | 32GB | OK |
| SDSDXPB-016G-J35 | 16GB | OK | ||
| SanDisk Extreme PRO® SDHC™ UHS-I Memory Card (Class10) | SDSDXPA-016G-J35N | 16GB | OK | |
| SanDisk Extreme Pro® SDHC™UHS-I Card (Class10) | SDSDXPA-032G-J35 | 32GB | OK | |
| SDSDXPA-016G-J35 | 16GB | OK | ||
| SanDisk Extreme® SDHC™ UHS-I Card (Class10) | SDSDXS-032G-J35 | 32GB | OK | |
| SDSDXS-016G-J35 | 16GB | OK | ||
| SDSDXS-008G-J35 | 8GB | OK | ||
| SanDisk Extreme ® SDHC™ Card (Class10) | SDSDX3-008G-J31A | 8GB | OK | |
| SanDisk Extreme ® SDHC™ Card (Class6) | SDSDX3-4096-J21N | 4GB | OK | |
| SanDisk Ultra® PLUS SDHC™ UHS-I Memory Cards (Class10) | SDSDUP-016G-J35 | 16GB | OK | |
| SDSDUP-008G-J35 | 8GB | OK | ||
| SanDisk Standard SDHC™ Card (Class4) | SDSDB-4096-J95A | 4GB | OK | |
| Lexar
| Lexar® Professional 600x SDHC™UHS-I Card (Class10) | LSD32GCTBJP600 | 32GB | OK |
| LSD16GCTBJP600 | 16GB | OK | ||
| Lexar® Professional 400x SDHC™UHS-I Card (Class10) | LSD32GCTBJP400 | 32GB | OK | |
| LSD16GCTBJP400 | 16GB | OK | ||
| Lexar® Platinum II 200x SDHC™ UHS-I Card (Class10) | LSD8GBBBJP200C10 | 8GB | OK | |
| Lexar® SD™/SDHC™ Card (MULTI USE) | LSD4GBACJP | 4GB | OK | |
| LSD2GBACJP | 2GB | OK | ||
| Panasonic | SDHC (UHS-I / Class10) R:90MB/s W:45MB/s | RP-SDUC32GJK | 32GB | OK |
| SDHC™ Card (Class6) R:20MB/s | RP-SDLC32GJK | 32GB | OK | |
| RP-SDLC16GJK | 16GB | OK | ||
| RP-SDLC08GJK | 8GB | OK | ||
| RP-SDLC04GJK | 4GB | OK |
Supported Media
| Maker | Series | Model | Capacity |
|---|---|---|---|
| Lexar | Lexar® Platinum II 200x SDHC™ UHS-I Memory Card (Class10) | LSD8GBBBJP200C10 | 8GB |
| Lexar | Lexar® Professional 400x SDHC™ UHS-I Memory Card (Class10) | LSD16GCTBJP400 | 16GB |
| Lexar | Lexar® Professional 400x SDHC™ UHS-I Memory Card (Class10) | LSD32GCTBJP400 | 32GB |
| Lexar | Lexar® Professional 600x SDHC™ UHS-I Memory Card (Class10) | LSD16GCTBJP600 | 16GB |
| Lexar | Lexar® Professional 600x SDHC™ UHS-I Memory Card (Class10) | LSD32GCTBJP600 | 32GB |
| Lexar | Lexar® Secure Digital (SD™) Memory Card (MULTI USE) | LSD2GBACJP | 2GB |
| Lexar | Lexar® Secure Digital High Capacity (SDHC™) Memory Card (Class2) | LSD4GBACJP | 4GB |
| Panasonic | SDHC (UHS-I / Class10) R:90MB/s W:45MB/s | RP-SDUC32GJK | 32GB |
| Panasonic | SDHC Memory Card (Class6) R:20MB/s | RP-SDLC04GJK | 4GB |
| Panasonic | SDHC Memory Card (Class6) R:20MB/s | RP-SDLC08GJK | 8GB |
| Panasonic | SDHC Memory Card (Class6) R:20MB/s | RP-SDLC16GJK | 16GB |
| Panasonic | SDHC Memory Card (Class6) R:20MB/s | RP-SDLC32GJK | 32GB |
| SanDisk | Extreme Pro SD UHS-II card | SDSDXPK-032G-JNJIP | 32GB |
| SanDisk | SanDisk Extreme Pro® SDHC™ UHS-I Memory Card (Class10) | SDSDXPA-016G-J35N | 16GB |
| SanDisk | SanDisk Extreme Pro® SDHC™ UHS-I Memory Card (Class10) | SDSDXS-008G-J35 | 8GB |
| SanDisk | SanDisk Extreme Pro® SDHC™ UHS-I Memory Card (Class10) | SDSDXS-016G-J35 | 16GB<
Other DetailsThis warranty gives you specific legal rights, and you may also have other rights which vary from state to state. This warranty is only valid within the country the unit was originally purchased. WHAT IS COVERED AND WHAT IS NOT COVERED Except as specified below, this warranty covers all defects in material and workmanship in this product. The following are not covered by the warranty: 1.Damage to or deterioration of the external cabinet. 2.Damage resulting from accident, misuse, abuse, or neglect 3.Damage resulting from failure to perform basic daily maintenance and/or calibration, or otherwise resulting from failure to follow instructions contained in your owner's manual. 4.Damage occuring during shipment of the product (claims must be presented by the carrier). 5.Damage resulting from repair or attempted repair by anyone other than TEAC or an authorized TASCAM service station. 6.Damage resulting from causes other than product defects, including lack of technical skill, competence, or experience of the user. 7.Damage to any unit which has been altered or on which the serial number has been defaced, modified, or removed. WHO MAY ENFORCE THE WARRANTY This warranty may be enforced only by the original purchaser. LENGTH OF WARRANTY All parts except heads and disk drives are warranted for one (1) year from the date of original purchase. Heads and disk drives are warranted for ninety (90) days from date of original purchase. Labor is warranted for ninety (90) days from date of original purchase. WHAT WE WILL PAY FOR We will pay all labor and material expenses for items covered by the warranty. Payment of shipping charges is discussed in the next section of this warranty. HOW YOU CAN GET WARRANTY SERVICE Your unit must be serviced by an authorized TASCAM service station in the United States. (This warranty is not enforceable outside the U.S.) If you are unable to locate an authorized TASCAM service station in your area, please contact us. We either will refer you to an authorized service station or instruct you to return the unit to the factory. Whenever warranty service is required, you must present both the original dated sales receipt and this warranty statement as proof of warranty coverage. You must pay any shipping charges if it is necessary top ship the product for service. However, if the necessary repairs are covered by the warranty, we will pay return surface shipping charges to any destination within the United States. LIMITATION OF IMPLIED WARRANTIES Any implied warranties, INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, are limited in duration to the length of this warranty. EXCLUSION OF DAMAGES TEAC's liability for any defective product is limited to repair or replacement of the product, at TEAC's option. TEAC shall not be liable for: 1.Damages bases upon inconvenience, loss of use of the product, loss of time, interrupted operation or commercial loss; or 2.Any other damages, whether incidental, consequential or otherwise. Some states do not allow limitations on how long an implied warranty lasts and/or do not allow the exclusion or limitations of incidental or consequential damages, so the above limitations and exclusions may not apply to you. To Locate an Authorized Service Center in Your Area CALL 1-800-447-8322 TASCAM Professional Division TEAC AMERICA, INC 1834 Gage Rd. Montebello, California 90640 Voice: (323) 726-0303 Fax: (323) 727-7635 Web:www.tascam.comProduct VideosCustom FieldProduct ReviewsRecommended
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