Allen & Heath QU-32C Chrome Edition digital sound console

• 32 Mic / Line Inputs (TRS + XLR)
• 33 Motor Faders
• 3 Stereo Inputs (TRS)
• 24 Mix Outputs (XLR)
• 4 Stereo Groups (switchable to Mix mode)
• Up to 11 Monitor Mixes (4 mono + 7 stereo
• 2 Stereo Matrix Outs
• 4 DCA Groups
• 4 Mute Groups
• 4 FX Engines
• 4 FX Sends / Returns
• 10 Soft Keys
• 32×32 USB Audio Interface
• DAW MIDI Control
• AES Digital Out
• Recallable AnaLOGIQTM Preamps

• Qu-Drive direct Multitrack Recording / Playback on USB drives
• 7” Touchscreen
• iLive FX Library
• dSNAKETM Remote Audio Port
• Automatic Mic Mixer*
• Qu-Pad iPad App
• Qu-You iPhone / Android personal monitoring app
• Compatible with ME Personal Mixing System
• Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor and delay on all Inputs
• Insert, 4-band PEQ, 1/3 octave GEQ, compressor and delay on all Mix outputs
• Built-in Signal Generator
• RTA with Peak Band indication
• Spectrogram to aid with feedback elimination and taming room acoustics
• High contrast metallic finish controls, matching premium GLD Chrome series

iPad shown in images above is sold separately.

THE MIXING EXPERIENCE

Having massive processing power and advanced functionality is great, but it counts for nothing if you can’t access the controls you need in a heartbeat. Once you start using Qu-32 you’ll sense the years of research into ergonomics and the hands-on mixing experience that our team has drawn upon to deliver a wonderfully natural layout and workflow. It’s not about recreating an analogue interface, it’s about creating an experience that’s fluid, comfortable and intuitive for novices, digital natives and old school road warriors alike, making all the benefits of digital mixing technology readily accessible to all. High contrast metallic finish controls complete the picture, offering excellent low light visibility and enhanced tactile control.

TOUCH CONTROL

The 7”, 800 x 480, sixteen million colour Touchscreen and its dedicated data encoder form the heart of the Qu interface, providing super-fast, easy access to all settings. The user-friendly interface has been designed with clarity in mind. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.

THE SUPERSTRIP

All your key processing tools are presented in a clean layout on the SuperStrip, with 1 function per physical control. The SuperStrip is complemented by an onscreen Touch Channel for intuitive access to full processing parameters without clutter or complex menu structures. Processing for Mono and Stereo inputs includes trim, polarity, HPF, gate, insert, 4 band PEQ, compressor and delay. The main LR and the Mono mixes have controls for Insert, 1/3 octave GEQ, compressor and delay. The Stereo mixes provide Insert, 4-band PEQ, compressor, delay and balance control.

FADER AUTOMATION

Moving faders started as an expensive option in the studio desks of the 80s, and later became the norm with the advent of digital technology. Nevertheless some entry-level digital mixers lack this precious commodity which is a fundamental part of the Total Recall approach. Fader automation is essential for rapid mixing, especially when you’re dealing with multiple monitor mixes – just press a mix key and the faders immediately fly to the send levels for that mix. Qu-32 features 33 motorized ALPS faders, 32 arranged over 2 layers, allowing instant access to all channels and masters in a compact space, plus a dedicated master fader which dynamically follows the mix selection. A third, Custom layer is available for ad-hoc user strip layout, where any combination of Inputs, FX Sends, FX Returns and Mix masters can be assigned.

ILIVE FX

Qu-32’s dynamics and FX algorithms are derived from the FX used in our iLive pro touring series. Some of the world’s most respected audio engineers have chosen to use iLive’s FX on tour in preference to top-end plug-ins and external FX units. Qu-32 boasts 4 stereo iLive FX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. The FX library has the ability to grow with future firmware releases. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels. Each Stereo FX Return has a dedicated 4 band PEQ.

TOTAL RECALL

True digital mixing is about being able to save and recall scenes (snapshots) at the press of a button. Qu can store up to 100 full Scenes for recall at will. Channels and mixes can be made Safe from Scene recall. For example, if an instrument or mic gets swapped out after the soundcheck, the channel can be made safe to avoid settings being overridden by Scene recalls. Or if a broadcast feed or walk-in iPod is added last-minute before the show kicks off, that mix or channel can be made safe from any scene change. In addition, single parameter updates can be blocked using a Recall Filter. So if you tweak the graphic EQ to reflect the room response when the audience gets in, you can block this to prevent any overwriting at scene change.

Custom settings for each EQ, compressor or channel can be saved as Library presets. This lets you store your tried and tested setting for your favourite vocal mic or reverb pattern and apply it to other channels or shows. Libraries, Scenes and the complete Show configuration can be saved to a USB key, so you can carry the show with you, ready to use on another Qu mixer.

AUTOMATIC MIC MIXER (AMM)

AMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time, reducing background noise and minimising the risk of feedback. The Automatic Microphone Mixer feature helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard. Our D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain.

USB AUDIO STREAMING

Qu-32’s built-in interface streams multitrack audio to your Mac or Windows computer. Any combination of Inputs and Mixes can be patched to the USB interface. The returns from the computer can be assigned to the Input channels. The interface is class-compliant on Mac OS X – which means it’s truly plug ‘n play, with no need to install a driver. An ASIO / WDM driver is available for Windows computers.

Standard MIDI control is tunnelled over the USB connection so you can easily map the faders to the tracks of your favourite DAW. Additionally, the DAW Control driver for Mac OS X enables better DAW integration via HUI or Mackie Control emulation.

QU-DRIVE

Forget soundcard drivers and software setup, Qu-32 has an integrated multitrack USB recorder, providing 18 channels of 48kHz 24bit recording and playback straight to / from your USB hard drive. Capturing multitrack recordings of your shows has never been so easy, and multitrack audio can be played back to the Mono Input channels 1-18. On top of this, Qu-Drive also provides stereo recording, patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.

ARMED TO THE HILT

Qu-32 is equipped with 5 cores of high efficiency ARM core processing, with dedicated ARM cores running the touchscreen display and surface, USB streaming, Qu-Drive multi-channel USB recording / playback, Ethernet and fader automation. Between them the ARM cores provide state-of-the-art processing, working in parallel to deliver extensive control, instant-on operation, and lightning-fast response.  The mixer’s DSP farm exploits next generation dual core DSPs. The Qu DSP architecture employs varied bit depths, tailored to specific algorithms, with 48 bits on critical EQ functions and a 56 bit accumulator on the mix bus where it really counts, allowing every nuance of the audio to be captured in the final mix.

THE SHAPE OF THINGS TO COME

Made from 18 gauge, cold-rolled Zintec steel, Qu32’s distinctive frame is designed for strength and rigidity. We’ve done unspeakable things to that chassis in the lab and it’s taken everything we’ve thrown at it – even being stomped on by our resident ex-tank commander.

Silence is a precious commodity in the live or studio environment, which is why nobody wants those moments of stillness ruined by the whirring of fans coming from the mix position. Qu’s sleek profile generates optimal airflow through the mixer, eliminating the need for any fans.

QU-PAD

Add the Qu-Pad iPad app to your Qu setup and you’re free to adjust the monitors on stage, roam around the venue whilst tweaking the PA, and then mix the show from the heart of the audience. Qu-Pad connects to the mixer over Wi-Fi and gives instant access to all live mixing parameters and settings. Qu-Pad requires the connection of a Wi-Fi router or access point to the Qu-32 Network port.  *Requires the connection of a Wi-Fi router or access point to the Qu Network port.

ME PERSONAL MIXING SYSTEM

Qu-32 is fully compatible with our ME Personal Mixing System. Any number of ME-1 personal mixers can be chained from the dSNAKETM port (or from an AR2412 Stagebox if you’ve got one connected to the dSNAKETM port). Each performer can be given tailored control over their own mix, leaving the engineer free to focus on the audience experience.

DSNAKETM

Qu-32 is a self-contained mixer, so if you’ve already got the analogue cables you’re good to go. If you’re thinking of trading in the copper multicore for a Cat5 digital snake, Qu-32’s dSNAKETM port has you future-proofed, allowing connection to our AR2412, AB168 and AR84 AudioRacks. dSNAKETM is our proprietary networking solution, boasting a transport latency of only 105us over cable runs of up to 120m / 390’. So if you’re mixing FoH you can place your I/O on the stage and run a single Cat5 cable back to the Qu-32 in the mix position.

SOFTKEYS

Qu-32 packs 10 SoftKeys for more user-assignable functions such as Mute Groups, Tap Tempo, Scene navigation or PAFL Clear.

4 STEREO GROUPS

Groups 1-8 are typically used as subgroups to LR for level masters and/or processing, for example to compress a drum kit or to tame multiple lavalier microphones with a single graphic equalizer. Groups can be switched to Mix mode, typically to provide additional monitor mixes.

4 DCA GROUPS

Qu-32 has four DCA Strips for simple level control of assigned channels. DCAs are the equivalent of VCAs commonly found on pro touring analogue consoles.

THE MATRIX

Qu-32’s Matrix adds 2 further stereo outputs equipped with full processing to the console’s extensive I/O. It is a ‘mixer within a mixer,’ fed from any combination of Group 1-8, Mix 1-10, and main LR. It can be used to provide a broadcast feed, a recording mix, or duplicate the main outputs for delay stacks and fill / zone speakers where independent GEQ and delay is applied.

OPTION ACCESSORIES, TO BE PURCHASED SEPARATELY:

ACCESSORIES

AR2412 – 24 inputs, 12 outputs AudioRack with dSNAKE connection and expansion port for personal monitoring.
AR84 – 8 inputs, 4 outputs AudioRack with dSNAKE connection.
AB168 – Portable, rugged 16 inputs, 8 outputs stagebox with dSNAKE connection and expansion port for personal monitoring.
AH9650 – 100m drum of EtherFlex Cat5 with locking Neutrik EtherCon connectors.
AH9981 – 50m drum of EtherFlex Cat5 with locking Neutrik EtherCon connectors
AH9651 – 20m of Neutrik EtherFlex Cat5 with locking Neutrik EtherCon connectors
LEDLamp – variable brightness 18” gooseneck lamp.
AP9639 – Dust cover for Qu-32.

Please note that this item works with the ME-500, ME-1, AH-AP9639, AR2412, AR84, AB-168, and Mobile Apps.